Stanley Film Festival Wrap-Up

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Last month, the folks at the Stanley Film Festival were gracious enough to have me attend and cover their wholly unique gathering. I’ve only been to a handful of festivals, but I can confidently say that the Stanley Festival is thee best. Held at the historic Stanley Hotel (where Stephen King got his inspiration for The Shining), there’s a reason other journos have referred to it as “horror camp.” Not only do they have flawless programming consisting of the absolute best in modern and retrospective horror*, but for those with big enough stones, they immerse you in a living horror movie. Baby’s blood, cult members kicking in doors at 3am, clandestine magic shows at 2am, crawling through dirt tunnels beneath the hotel, live feed of abducted filmmakers…yeah, Stanley Festival is a wet dream for horror fans. Just don’t expect any sleep, man.

In just three short years the Stanley Festival has cemented itself as the premiere horror festival in the U.S. It’s grown an insane amount during that time and honest to gawd, within another two or so years, it’s going to be ENORMOUS.

Below find every review and interview of mine from Stanley. To pick a favorite is a vicious task, but I can honestly say I almost walked out of the theater during The Nightmare, that’s how effective it is, and one of my favorite living filmmakers, Adrián Garcia Bogliano, showed his latest, which melted my face off.

LET US PREY

THE BOY

SHREW’S NEST

THE INVITATION (they requested this to just be a capsule review)

DIRECTOR’S COMMENTARY: TERROR OF FRANKENSTEIN

SOME KIND OF HATE

THE FINAL GIRLS

SCHERZO DIABOLICO

SUN CHOKE

THE NIGHTMARE

COOTIES

And here are my interviews from Stanley:

WE ARE STILL HERE director Ted Geoghegan.

COOTIES crew Elijah Wood, directors Jonathan Milott and Cary Murnion, Leigh Whannell, and Allison Pill.

DIRECTOR’S COMMENTARY: TERROR OF FRANKENSTEIN and THE NIGHTMARE producer Tim Kirk.

* I unfortunately had to leave the day they showed Diabolique, a film I’ve always wanted to see on a big screen. Clouzet’s film still gets under my skin every time I watch it.

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