Charles Laughton

THE BIG CLOCK (1948)

The Big Clock

There’s a lot of  noir titles that begin with “The Big.” The Big Sleep, The Big Combo, The Big Knife, and the whole Hardboiled Hangover project even started with a review of the big, brutal masterpiece The Big Heat. Today I’m taking on a “The Big” that’s got possibly the most boring variation of the title ever: The Big Clock. Oh boy. A clock, that’s big. Dull title, but a pretty damn effective metaphor for the way our lives tick away and cripple humans – wearing men down until they commit heinous activities. However, this is the first Hardboiled Hangover review where I say to you, dear reader, this movie sucks. Don’t waste your time (on a clock, a BIG clock!).

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THE SUSPECT (1944)

The Suspect 1944 Charles Laughton

The Suspect is a period melodrama by blog favorite Robert Siodmak. This is the 9th Siodmak film I’ve reviewed here and by this point I can honestly declare that he can pretty much do everything. Seriously. Gothic horror. Two-fisted noir. And for today’s film, a murderous drama set in 1902 London. This one is light on his German expressionism influences and contains a bit more pomp than I typically enjoy, but it’s heavy on the suspense as the protagonist leaves behind a trail of bodies and must make a painful decision in the film’s final minutes.

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