Here’s a great little caper set inside London’s Tate Museum. Starring versatile noir favorite Dennis O’Keefe, The Fake is a strong example of that overused word in film criticism: “romp.” Yeah, I know, I just used it, but it really is adequate in this situation. More, The Fake is a “condensed romp,” with minimal locations and characters. There’s still a bit of that hard-edged noir aesthetic, but overall it’s a fun, lighthearted crime film that’s the sort of perfect lazy Sunday afternoon fare people spend hours penetrating Netflix for. While no means a classic, The Fake has enough unique things going for it to make it a blast to watch. I mean, when’s the last time you saw a mystery where the color lapis lazuli was a major clue?