Lee Marvin

THE BIG HEAT (1953)

The BIg Heat

I watch a ton of genre films, but unfortunately none of the sites I write for allow me a platform to gush about one of my favorite genres: noir and crime in general. Might as well do it here. I’m going to try to write a few noir reviews a week – covering my favorites and ones I’m just discovering. It’s a dark, morally ambiguous cinematic landscape out there, guys. I hope you dig.

“Prisons are bulging with dummies who wonder how they got there.”

When a film kicks off with a cop shooting himself in the head, buckle up. Direct by Austrian wunderkind Fritz Lang, The Big Heat (1953) is an 89 minute visceral sting that subverts the noir tradition of the femme fatale by making its wounded hero the harbinger of death for every female he encounters. Lang destroys the wall between the swellness of America life  and the underworld – gauging what it takes to defend our little houses in the suburbs and the nuclear families within. Namely, it takes violence.

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