Awww yeah…another Robert Siodmak joint. I love this dude! It’s also another Cornell Woolrich adaptation. Phantom Lady, based on his 1942 book of the same name, nicely conveys Woolrich’s motif of the passive male and avenging female that subverts the traditional femme fatale. It’s also a fine example of Siodmak’s German expressionistic style bleeding into the visual trademarks of noir. These elements culminate in a tense, tough little ride into fatalism, cover-ups, and good ol’ American psychopathy.