Filmmaker Rudolph Maté has a damn impressive list of films under his belt as both a director and a DP. He started out shooting classics like The Passion of Joan of Arc (1928) and Hitchcock’s Foreign Correspondent (1940), then when set his sights on directing, he busted out noir classics like Gilda (1946) and today’s film: the dark beast known as D.O.A. As bleak and downbeat as D.O.A. is, it’s also kinda comical – borderline slapstick. This is thanks to the over the top physical performance by Edmond O’Brien, who plays a man whose time is running out quicker than you can say dead.on.arrival.