Talk about a blueprint for film noir, Robert Siodmak’s Criss Cross lays down an impenetrably stark view of the Los Angeles underworld and one poor sucker who gets trapped in its web. What lured him there? A woman, duh. The title refers to the barrel of bluffs characters dip their heads into – bobbing for salvation. While film noir is known for its doomed heroes and hopelessness, Criss Cross transcends these motifs and reaches this surreal nightmare of despair, obsession, and betrayal unmatched in the golden era.